In a surprising turn of events, Davido’s highly anticipated “Ogechi Remix” music video, which was produced with a staggering budget of over ₦250 million, has been removed from YouTube due to a copyright claim. The video, which had garnered an impressive 6 million views before its removal, was poised to be another major hit for the Afrobeats superstar.
Fans were shocked to discover the video’s sudden disappearance, especially given the significant investment and effort put into its production. The copyright claim has raised questions and concerns among fans and industry insiders alike, as they await further updates on whether the issue will be resolved and the video reinstated.
Davido’s team has yet to release an official statement regarding the incident, leaving fans eager to learn more about the situation and the future of the “Ogechi Remix” video.
In a recent interview, Ayra Starr made a surprising statement, naming Rema as one of the top three best performers alive. She mentioned that if she were to host her own music festival, her top headliners would be Michael Jackson, Beyoncé, and Rihanna. However, Ayra added that she would replace Michael Jackson with Rema, confidently asserting that Rema could deliver the same level of energy to the crowd as the King of Pop.
“Rema is among the top three best performers alive,” Ayra stated confidently, sparking widespread discussion. As she continued, Ayra shared her dream lineup for a hypothetical music festival, choosing three headliners from any era, dead or alive. Her original choices were none other than the legendary Michael Jackson, global superstar Beyoncé, and the iconic Rihanna—an A-list lineup that reflects the highest standards of entertainment.
However, in a surprising twist, Ayra Starr revealed that she would actually replace Michael Jackson with Rema. “To be honest, Rema can give the crowd the same energy,” she explained. This comparison of the young Nigerian star to the King of Pop is both daring and a testament to the impact Rema has had on the music scene.
Rema, whose genre-bending style and infectious energy have made him a global sensation, has rapidly ascended to the top of the charts, earning accolades and a massive following. His ability to captivate audiences with his performances has not gone unnoticed, and Ayra Starr’s comments have only fueled the conversation about his potential to reach even greater heights.
Ayra’s statement is significant, not only because it places Rema in the company of some of the greatest performers in history, but also because it reflects the growing confidence in Nigerian artists’ ability to hold their own on the global stage. The comparison to Michael Jackson, widely regarded as one of the greatest entertainers of all time, underscores Rema’s influence and the energy he brings to his performances.
Fans and critics alike have taken to social media to weigh in on Ayra’s comments, with some applauding her for recognizing Rema’s talent, while others debate the comparison to Michael Jackson. Regardless of where one stands, there is no denying that Rema has become a powerful force in the music industry, and Ayra Starr’s endorsement only solidifies his status as one of the top performers of his generation.
As the debate continues, one thing is clear: the future of Afrobeats, and indeed global music, is bright with talents like Rema leading the charge. Ayra Starr’s bold declaration may just be a glimpse into what the next generation of music icons will look like.
A recent post has sparked conversations in the music scene as a man questioned the differing successes of Nigerian artists who sing in their native languages. Phyno and Flavour are reportedly set to release songs with 90% Igbo lyrics, while Asake and Seyi Vibez will drop tracks with 60% Yoruba lyrics.
The post highlights that Asake and Seyi Vibez are not only selling out arenas and concerts but have also won multiple international awards and gained global recognition with their Yoruba-language songs. In contrast, the post suggests that Phyno and Flavour, who sing predominantly in Igbo, have not achieved similar success. The pointed question posed is whether Phyno and Flavour should reconsider their use of Igbo in their music if it’s not yielding the desired results.
This controversial advice has sparked debate, leaving many fans and critics to ponder the importance of language in the commercial success of music.
The Ndi Nne duo, consisting of Nneamaka and Chinne, has been evicted from the BBNaija Season 9 edition.
Their eviction was confirmed after custodians Mayor Frosh and Toby Forge of Team Streeze were given the authority to evict one of the four nominated house pairs.
The house pairs up for eviction that night were Flourish, Zinwe, Ndi Nne, and Radicals.
Ndi Nne became the second house pair to leave the competition, following Tami’s eviction last week.
Notably, Ndi Nne are the first ever Head of House in Big Brother Naija history to be evicted.
A bride-to-be, Firdausi Muhammad, was among people allegedly k!lled by security agents during the #EndBadGovernance protest in Kano State.
The incidents happened at Kofar Nassarawa, Kurnar Asabe and Rjiyar Lemo.
Videos posted by residents of the area shows bodies of some of the victims.
According to Daily Trust, Firdausi was reportedly k!lled by a stray bullet, allegedly from the rifle of a policeman in Rijiyar Lemo, during the protest on Saturday. She was to get married next week.
Another victim, Abdulkadir Labaran Babah Alfindiki, was allegedly k!lled at Kofar Nassarawa.
Speaking to the Daily Trust, his mother, Aisha Isah Babah, said: “He left home for his business place. Worried that he didn’t come for his lunch, I became uncomfortable. I did not call him nor did I talk to anybody about my worries. Little did I know that he was k!lled.”
She said she left everything to God as the deceased was an orphan and she cannot fight to get justice for him.
The mother of one 15-year-old Kashifu Abdullahi Gyaranya, who was also killed during the protest, Maryam Sani, said: “As he was leaving home, I asked him where he was going to, but he told me that he was going outside to see his friends. I warned him not to join the protest. He said he would not. Only for me to be called and informed that he was k!lled. And that is all.”
One Umar Abubakar Hausawa was also said to have been k!lled by a police stray bullet during the protest at Kofar Nassarawa the same day.
His brother, Rabiu Abubakar, said: “When he was told that our younger brothers had joined the protesters, he was angry and told our mother that he was going to call them back. That was how he went and met his untimely death there
Reacting, the spokesperson of the State Police Command, SP Abdullahi Haruna Kiyawa said that the police tried to maintain law and order in Rijiyar Lemo as the youths of the area tried to overpowered them.
“Actually, what happened was you know the Kano State Government has imposed curfew in the state so the youths who were in their hundreds tried to trespass into people’s shops to steal their goods. So, our men tried to disperse them but instead of them to go back to their houses they turned violent, and started throwing stones at our personnel,” the PPRO said.
He said that the situation warranted the reinforcement of the more personnel in order to maintain law and order.
The spokesperson said the law has allowed the police to defend themselves.
He added that the command had launched an investigation into the cases to ascertain what happened.
When Asake declared, “They never see me coming,” in his hit collaboration with Fireboy on “Bandana,” few could have predicted the extent of his rise. Fast forward one year, and Asake has not only proven his point but has taken the global music scene by storm.
Just 24 hours after dropping his third studio album, LUNGU BOY’S, Asake shattered expectations by dethroning rap legends Eminem and Kanye West from the top spots on the UK Apple Music chart, seizing the Number 1 position.
This marks the third time Asake has recreated such a historic feat, solidifying his place as a force to be reckoned with in the music industry. From being labeled a local artist to now toppling giants, Asake’s journey is a testament to his undeniable talent and global appeal.
Join in the celebration as Mr. Money continues to break barriers and set new records.
Nollywood actress Esther Nwachukwu has ignited controversy with her recent remarks about the marriages of Regina Daniels and Ifeoma Okoye, claiming that both women were motivated by money rather than love in their relationships.
Nwachukwu questioned the true intentions behind the marriages, stating, “REGINA DANIEL married NED cause of money, IFEOMA does not love RUDE BOY, she married him for money. Do you think without money REGINA will marry a 65-year-old man with 5 wives? A man who can’t do ta-ta-ta well? Do you think Ifeoma will marry Rude Boy with 3 kids and an ex-wife if he was broke? Twist it how you want but there is nothing like some women love older men. Some women prefer to be side chicks to older men than a wife to a broke man.”
Her comments have sparked widespread debate on social media, with many weighing in on the issue of love, marriage, and financial stability. While some agree with her blunt assessment, others have criticized her for making assumptions about the personal lives of the individuals involved.
The conversation continues to gain traction online, highlighting the ongoing discussion about the role of money in relationships.
The business world is buzzing with excitement as PELLER, the rising star in the Nigerian entertainment and tech space, continues to make waves with yet another massive deal. Just two days after inking a ₦30 million partnership with ROOMDE, PELLER has upped the ante by signing an impressive ₦100 million deal with BETGENIUS.
A Winning Streak
PELLER’s recent success is a testament to his growing influence and business acumen. The ₦30 million deal with ROOMDE was already a significant achievement, sparking conversations about his potential to redefine the entertainment industry. ROOMDE, a leading player hotel bookings, event spaces, short-let apartments, recognized PELLER’s unique appeal and his ability to connect with a broad audience. Their partnership is set to leverage this connection, bringing innovative projects to life and pushing the boundaries of what’s possible in entertainment and technology.
However, the ink had barely dried on that contract before PELLER announced an even bigger deal. Today, he’s signed a staggering ₦100 million agreement with BETGENIUS, a major name in the sports betting and data analytics industry. This new partnership highlights PELLER’s versatility and his appeal across different sectors.
The BETGENIUS Deal: What It Means
The deal with BETGENIUS is more than just a financial milestone; it’s a strategic move that could position PELLER as a key player in the sports entertainment and betting industry. BETGENIUS is renowned for its cutting-edge technology and data solutions, providing services to some of the biggest names in sports and betting worldwide. By teaming up with PELLER, they’re tapping into his star power and the extensive fanbase he commands.
This partnership is expected to lead to exciting new initiatives, combining BETGENIUS’s expertise in sports data with PELLER’s creative vision. Whether it’s in the form of branded content, interactive experiences, or innovative digital platforms, this deal is set to make waves not just in Nigeria, but across the global market.
PELLER’s Rapid Ascent
PELLER’s rapid ascent in the industry is nothing short of remarkable. In a matter of days, he’s secured deals worth a total of ₦130 million, signaling his arrival as a major player in the business world. His ability to attract such lucrative deals in quick succession speaks to his growing reputation and the confidence that major brands have in his vision.
These deals are not just about the money; they’re about creating a legacy. PELLER is positioning himself as a brand in his own right, someone who can influence trends and set the tone for the future of entertainment, technology, and now, sports betting.
What’s Next for PELLER?
With two major deals signed in the span of a week, the question on everyone’s mind is: what’s next for PELLER? If his recent moves are any indication, we can expect even bigger announcements in the near future. PELLER is clearly on a mission to dominate multiple industries, and he’s doing so with a mix of savvy business strategies and a deep understanding of his audience.
As the deals keep rolling in, one thing is clear: PELLER is not just a rising star—he’s a force to be reckoned with. Whether you’re a fan, a business leader, or just someone keeping an eye on the industry, PELLER is one name you won’t want to forget.
Final Thoughts
PELLER’s latest deal with BETGENIUS marks a significant milestone in his career, but it’s also a sign of even bigger things to come. As he continues to break new ground and forge powerful partnerships, PELLER is setting himself up for a future where the sky’s the limit. Keep an eye on this trailblazer—his journey is just getting started.
In the dynamic world of university life, trends come and go, but every now and then, one captivates everyone’s attention in unexpected ways. Recently, the phrase “Gwo Gwo Gwo Ngwo” has taken Nigeria by storm, becoming a viral sensation across social media platforms. But what makes this particular trend so unique isn’t just the catchy phrase itself—it’s the way it’s turned a seemingly ordinary student into the heartthrob of the entire campus.
The Rise of “Gwo Gwo Gwo Ngwo”
If you’ve been on social media lately, you’ve likely encountered the phrase “Gwo Gwo Gwo Ngwo.” Originating from a popular skit by Nigerian comedian Brain Jotter, this phrase has taken on a life of its own, becoming a meme, a joke, and even a way of life for many. The comedic timing and distinctive delivery of the line have made it an instant hit, with students incorporating it into their daily conversations, captions, and, of course, crush-worthy moments.
Enter the Campus Crush
A female student shared a candid photo of her classmate, who bears a striking resemblance to Brain Jotter himself. The resemblance was uncanny—his expressions, his mannerisms, even his sense of humor echoed the popular comedian. It was as if Brain Jotter had a doppelgänger walking the halls of their university.
Every Girl’s Crush
What started as a playful post quickly spiraled into something much bigger. The female student’s caption read, “After the ‘Gwo Gwo Gwo Ngwo’ started trending, he became every girl’s crush on campus.” And she wasn’t exaggerating. Within hours, the post went viral, with girls from all over the campus (and beyond) commenting on how they, too, had noticed the resemblance and how they’d secretly harbored crushes on this lookalike.
The student in question, who had previously flown under the radar, suddenly found himself in the spotlight. He was no longer just another face in the crowd; he was the embodiment of the campus’s latest craze. From admiration to outright flirtation, his social media was flooded with messages and friend requests, with many jokingly (or perhaps seriously) asking him to say the iconic line just once.
The Power of Social Media
This phenomenon is a testament to the power of social media and how quickly trends can turn ordinary moments into extraordinary ones. A simple trend from a comedian transformed a regular student into the campus crush. It’s a reminder of how interconnected we are in this digital age, where something as small as a viral post can have a ripple effect, changing lives and making memories.
Final Thoughts
As the “Gwo Gwo Gwo Ngwo” trend continues to thrive, one thing is certain: this student’s newfound fame isn’t fading anytime soon. Whether it’s his resemblance to Brain Jotter or just the perfect timing of the trend, he’s become an unforgettable part of the our culture. And who knows? Maybe one day, he’ll meet the real Brain Jotter and share a laugh over how a simple phrase turned him into every girl’s crush. Until then, he’ll just have to keep dodging the admiring glances and living up to the hype.
In a recent interview, artist FAVE opened up about his memorable experience working with music superstar Davido on the hit song “KANTE.” Expressing his initial excitement and gratitude, FAVE shared how the collaboration turned into a life-changing opportunity.
“When Davido contacted me to feature on his song titled ‘KANTE,’ I was overjoyed, and we even celebrated with a party,” FAVE recalled. “I was prepared to record my verse for free, but Davido insisted on paying me whatever amount I wanted to be part of the track.”
The release of “KANTE” quickly became a sensation, but the surprises didn’t end there. FAVE was amazed when Davido reached out again with an offer to join him on tour in the UK. “He paid for everything, and I was compensated for my performances,” FAVE said. “Months later, after the show, we travelled to various countries for the video shoot.”
FAVE’s experience highlights Davido’s deep appreciation for talent and his commitment to supporting fellow artists. “Davido is someone who understands the value of talent. No matter how big he is, even if he features an upcoming artist, your life will change after that verse,” FAVE concluded.
This heartfelt reflection underscores the profound impact of genuine collaboration and support in the music industry, illustrating how one artist’s generosity can profoundly influence and elevate another’s career.
